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praxis
  • A. Loomis
    • Part One: Men’s Heads
    • Part Two: Woman’s Head
    • Part Three: Babies’ Heads
    • Part Four: Heads of Boys and Girls
    • Part Five: Hands
    • Part Six: Anatomy
  • G. Bridgman
    • The Complete Bridgman Part 1
    • The Complete Bridgman Part 2
    • The Complete Bridgman Part 3
    • The Complete Bridgman Part 4
    • The Complete Bridgman Part 5
  • H. Speed
    • The Practice and Science of Drawing Part 1
    • The Practice and Science of Drawing Part 2
    • The Practice and Science of Drawing Part 3
    • The Practice and Science of Drawing Part 4
  • K. Nicolaides
    • The Natural Way to Draw Part 1
      • Section 1. Contour and Gesture
      • Section 2. The Comprehension of Gesture
      • Section 3. Weight and the Modelled Drawing
      • Section 4. Memory Drawing and Other Quick Studies
      • Section 5. The Modelled Drawing in Ink — The Daily Composition
      • Section 6. The Modelled Drawing in Water Color — Right-Angle Study
      • Section 7. Emphasis on Contour — The Head
      • Section 8. Special Form Studies
      • Section 9. An Approach to the Subject of Technique
      • Section 10. The Simple Proportions — Effort
    • The Natural Way to Draw Part 2
      • Section 11. The Study of Drapery
      • Section 12. The Figure with Drapery — The Subjective Impulse
      • Section 13. The Sustained Study
      • Section 14. Light and Shade
      • Section 15. An Approach to the Study of Anatomy
      • Section 16. The Long Composition
      • Section 17. Exercises in Black and White Crayon
      • Section 18. Studies of Structure
      • Section 19. Analysis Through Design
      • Section 20. Study from Reproductions
      • Section 21. The Muscles
      • Section 22. Exercises in Black and White Oil Color
      • Section 23. Analysis Through Design — Continued
      • Section 24. The Subjective Element
      • Section 25. An Approach to the Use of Color
  • B. Edwards
    • 1. Right Side Drawing and the Art of Bicycle Riding
    • 2. Right Side The Drawing Exercises, One Step at a Time
    • 3. Right Side Your Brain, The Right and Left of It
    • 4. Right Side Crossing Over, Experiencing the Shift from Left to Right
    • 5. Right Side Drawing on Memories, Your History as an Artist
    • 6. Right Side Getting Around Your Symbol System. Meeting Edges and Contours
    • 7. Right Side Perceiving the Shape of a Space, The Positive Aspects of Negative Space
    • 8. Right Side Relationships in a New Mode Putting Sighting in Perspective
    • 9. Right Side Facing Forward Portrait Drawing with Ease
    • 10. Right Side The Value of Logical Lights and Shadows
    • 11. Right Side Drawing on the Beauty of Color
    • 12. Right Side The Zen of Drawing Drawing Out the Artist Within
    • 13. Right Side Glossary
  • Bargue
    • Old Master Drawing Bargue-Gérôme Drawing Course II
    • Old Master Drawing Bargue-Gérôme Drawing Course III
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    • Anvendt Kunstanatomi Del 1
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praxis
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  • Rembrandt’s Medium – A Study of Rembrandt’s Painting Technique via Copying
  • Old Master Drawing Bargue-Gérôme Drawing Course II
  • Old Master Drawing Bargue-Gérôme Drawing Course III
  • Right Side Preface and Introduction
    • 1. Right Side Drawing and the Art of Bicycle Riding
    • 2. Right Side The Drawing Exercises, One Step at a Time
    • 3. Right Side Your Brain, The Right and Left of It
    • 4. Right Side Crossing Over, Experiencing the Shift from Left to Right
    • 5. Right Side Drawing on Memories, Your History as an Artist
    • 6. Right Side Getting Around Your Symbol System. Meeting Edges and Contours
    • 7. Right Side Perceiving the Shape of a Space, The Positive Aspects of Negative Space
    • 8. Right Side Relationships in a New Mode Putting Sighting in Perspective
    • 9. Right Side Facing Forward Portrait Drawing with Ease
    • 10. Right Side The Value of Logical Lights and Shadows
    • 11. Right Side Drawing on the Beauty of Color
    • 12. Right Side The Zen of Drawing Drawing Out the Artist Within
    • 13. Right Side Glossary
  • Alberti’s Window
  • Books by Loomis
  • Statistic
  • The Complete Bridgman
    • The Complete Bridgman Part 1
    • The Complete Bridgman Part 2
    • The Complete Bridgman Part 3
    • The Complete Bridgman Part 4
    • The Complete Bridgman Part 5
  • 3D-Models
  • Anvendt Kunstanatomi Intro
    • Anvendt Kunstanatomi Del 1
    • Anvendt Kunstanatomi Del 2
    • Anvendt Kunstanatomi Del 3
  • Galleries
  • Sitemap
  • The Practice and Science of Drawing Intro
    • The Practice and Science of Drawing Part 1
    • The Practice and Science of Drawing Part 2
    • The Practice and Science of Drawing Part 3
    • The Practice and Science of Drawing Part 4
  • Painting
    • Monochromatic Underpainting (Norwegian)
    • Painting Paris, Oil Painting Techniques
  • Old Master Drawing Where to Start Drawing
    • Introduction
    • Drawing the Head and Hands
      • Part One: Men’s Heads
      • Part Two: Woman’s Head
      • Part Three: Babies’ Heads
      • Part Four: Heads of Boys and Girls
      • Part Five: Hands
      • Part Six: Anatomy
      • Head and Perspective
    • The Basic Elements – Shape, Value, Color, Edge
    • Drawing Measuring Techniques
    • The Illusion of Depth
    • Video YouTube, Stan Prokopenko
    • How to Draw the Structure of the Body
    • How to Shade a Drawing
    • Anatomy of Light
      • Direct Light
    • Basic Elements
    • Drawing Supplies
      • How to Hold and Control Your Pencil
    • Drawing Techniques by Old Masters & Contemporary Artists
    • Drawing with the Sight-Size Method
    • How to Draw Gesture
    • How to Draw the Head from any Angle
      • How to Draw a Nose
      • How to Draw Ears
      • How to Draw Lips
      • How to Draw the Eyes
      • Planes of the Head II
    • Landmarks of the Body
    • Linear and Aerial Perspective
    • Structure Basics – Making Things Look 3D
  • Anvendt Kunstanatomi Ver 1 (Beta)
  • News
  • The Natural Way to Draw
  • The Natural Way to Draw Intro
    • The Natural Way to Draw Part 1
      • Section 1. Contour and Gesture
      • Section 2. The Comprehension of Gesture
      • Section 3. Weight and the Modelled Drawing
      • Section 4. Memory Drawing and Other Quick Studies
      • Section 5. The Modelled Drawing in Ink — The Daily Composition
      • Section 6. The Modelled Drawing in Water Color — Right-Angle Study
      • Section 7. Emphasis on Contour — The Head
      • Section 8. Special Form Studies
      • Section 9. An Approach to the Subject of Technique
      • Section 10. The Simple Proportions — Effort
    • The Natural Way to Draw Part 2
      • Section 11. The Study of Drapery
      • Section 12. The Figure with Drapery — The Subjective Impulse
      • Section 13. The Sustained Study
      • Section 14. Light and Shade
      • Section 15. An Approach to the Study of Anatomy
      • Section 16. The Long Composition
      • Section 17. Exercises in Black and White Crayon
      • Section 18. Studies of Structure
      • Section 19. Analysis Through Design
      • Section 20. Study from Reproductions
      • Section 21. The Muscles
      • Section 22. Exercises in Black and White Oil Color
      • Section 23. Analysis Through Design — Continued
      • Section 24. The Subjective Element
      • Section 25. An Approach to the Use of Color
  • The Natural Way to Draw ver 2
  • The Practice & Science of Drawing

Part Six: Anatomy

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Please have a look at the Sitemap where you will find more nice resources about drawing.

Contents

Anatomy

Plates from our Anatomy for Artists Library

Click on image to view all the plates.

Anatomy Videos by AnatomyZone

Skull Tutorials

Skull Tutorial (1) – Bones of the Calvaria – Anatomy Tutorial Part 1
Skull Tutorial (1) – Bones of the Calvaria – Anatomy Tutorial Part 2
Skull Tutorial (2) – Bones of the facial skeleton – Anatomy Tutorial Part 1
Skull Tutorial (2) – Bones of the facial skeleton – Anatomy Tutorial Part 2
Skull Tutorial (3) – Sutures of the skull – Anatomy Tutorial
Skull Tutorial (4) – Mandible – Anatomy Tutorial
Foramina of the Skull and Cranial Fossae – Anatomy Tutorial Part 1
Foramina of the Skull and Cranial Fossae – Anatomy Tutorial Part 2
Foramina of the skull and structures that pass through – Anatomy Tutorial Part 1
Foramina of the skull and structures that pass through – Anatomy Tutorial Part 2

Head and Neck Muscles

Muscles of Facial Expression – Anatomy Tutorial Part 1
Muscles of Facial Expression – Anatomy Tutorial Part 2
Muscles of Mastication – Anatomy Tutorial
Neck Anatomy – Organisation of the Neck – Part 1
Neck Anatomy – Organisation of the Neck – Part 2
Neck Muscles Anatomy – Anterior Triangle – Part 1
Neck Muscles Anatomy – Anterior Triangle – Part 2
Neck Muscles Anatomy – Posterior Triangle, Prevertebral and Lateral Muscles
Tongue Muscles and the Hyoid Bone

10 Top Pages

  • The Complete Bridgman Part 1
  • The Complete Bridgman Part 2
  • The Complete Bridgman Part 3
  • Old Master Drawing Bargue-Gérôme Drawing Course I
  • Part Four: Heads of Boys and Girls
  • The Complete Bridgman Part 4
  • The Complete Bridgman Part 5
  • Landmarks of the Body
  • Old Master Drawing Bargue-Gérôme Drawing Course III
  • The Complete Bridgman

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