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praxis
A. Loomis
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Part One: Men’s Heads
Part Two: Woman’s Head
Part Three: Babies’ Heads
Part Four: Heads of Boys and Girls
Part Five: Hands
Part Six: Anatomy
G. Bridgman
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The Complete Bridgman Part 1
The Complete Bridgman Part 2
The Complete Bridgman Part 3
The Complete Bridgman Part 4
The Complete Bridgman Part 5
H. Speed
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The Practice and Science of Drawing Part 1
The Practice and Science of Drawing Part 2
The Practice and Science of Drawing Part 3
The Practice and Science of Drawing Part 4
K. Nicolaides
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The Natural Way to Draw Part 1
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Section 1. Contour and Gesture
Section 2. The Comprehension of Gesture
Section 3. Weight and the Modelled Drawing
Section 4. Memory Drawing and Other Quick Studies
Section 5. The Modelled Drawing in Ink — The Daily Composition
Section 6. The Modelled Drawing in Water Color — Right-Angle Study
Section 7. Emphasis on Contour — The Head
Section 8. Special Form Studies
Section 9. An Approach to the Subject of Technique
Section 10. The Simple Proportions — Effort
The Natural Way to Draw Part 2
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Section 11. The Study of Drapery
Section 12. The Figure with Drapery — The Subjective Impulse
Section 13. The Sustained Study
Section 14. Light and Shade
Section 15. An Approach to the Study of Anatomy
Section 16. The Long Composition
Section 17. Exercises in Black and White Crayon
Section 18. Studies of Structure
Section 19. Analysis Through Design
Section 20. Study from Reproductions
Section 21. The Muscles
Section 22. Exercises in Black and White Oil Color
Section 23. Analysis Through Design — Continued
Section 24. The Subjective Element
Section 25. An Approach to the Use of Color
B. Edwards
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1. Right Side Drawing and the Art of Bicycle Riding
2. Right Side The Drawing Exercises, One Step at a Time
3. Right Side Your Brain, The Right and Left of It
4. Right Side Crossing Over, Experiencing the Shift from Left to Right
5. Right Side Drawing on Memories, Your History as an Artist
6. Right Side Getting Around Your Symbol System. Meeting Edges and Contours
7. Right Side Perceiving the Shape of a Space, The Positive Aspects of Negative Space
8. Right Side Relationships in a New Mode Putting Sighting in Perspective
9. Right Side Facing Forward Portrait Drawing with Ease
10. Right Side The Value of Logical Lights and Shadows
11. Right Side Drawing on the Beauty of Color
12. Right Side The Zen of Drawing Drawing Out the Artist Within
13. Right Side Glossary
Bargue
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Old Master Drawing Bargue-Gérôme Drawing Course II
Old Master Drawing Bargue-Gérôme Drawing Course III
Anatomi (Norwegian)
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Anvendt Kunstanatomi Del 1
Anvendt Kunstanatomi Del 2
Anvendt Kunstanatomi Del 3
praxis
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MyGallery
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Odd Nerdrum – updated
Odd Nerdrum’s Studio
Old Master Drawing and Painting Caravaggio I
Old Master Drawing and Painting How To…
Old Master Drawing and Painting John Singer Sargent
Old Master Drawing and Painting Rembrandt I
Old Master Drawing and Painting Vermeer I
Old Master Drawing and Painting Vermeer II
Old Master Drawing and Painting Vermeer III
Old Master Drawing and Painting Vermeer IV
Old Master Drawing Bargue-Gérôme Drawing Course I
Old Master Drawing Copying a Rubens drawing
Old Master, Historical Painting Techniques, Materials, and Studio Practice
Rembrandt’s Medium – A Study of Rembrandt’s Painting Technique via Copying
Old Master Drawing Bargue-Gérôme Drawing Course II
Old Master Drawing Bargue-Gérôme Drawing Course III
Right Side Preface and Introduction
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1. Right Side Drawing and the Art of Bicycle Riding
2. Right Side The Drawing Exercises, One Step at a Time
3. Right Side Your Brain, The Right and Left of It
4. Right Side Crossing Over, Experiencing the Shift from Left to Right
5. Right Side Drawing on Memories, Your History as an Artist
6. Right Side Getting Around Your Symbol System. Meeting Edges and Contours
7. Right Side Perceiving the Shape of a Space, The Positive Aspects of Negative Space
8. Right Side Relationships in a New Mode Putting Sighting in Perspective
9. Right Side Facing Forward Portrait Drawing with Ease
10. Right Side The Value of Logical Lights and Shadows
11. Right Side Drawing on the Beauty of Color
12. Right Side The Zen of Drawing Drawing Out the Artist Within
13. Right Side Glossary
Alberti’s Window
Books by Loomis
Statistic
The Complete Bridgman
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The Complete Bridgman Part 1
The Complete Bridgman Part 2
The Complete Bridgman Part 3
The Complete Bridgman Part 4
The Complete Bridgman Part 5
3D-Models
Anvendt Kunstanatomi Intro
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Anvendt Kunstanatomi Del 1
Anvendt Kunstanatomi Del 2
Anvendt Kunstanatomi Del 3
Galleries
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The Practice and Science of Drawing Intro
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The Practice and Science of Drawing Part 1
The Practice and Science of Drawing Part 2
The Practice and Science of Drawing Part 3
The Practice and Science of Drawing Part 4
Painting
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Monochromatic Underpainting (Norwegian)
Painting Paris, Oil Painting Techniques
Old Master Drawing Where to Start Drawing
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Introduction
Drawing the Head and Hands
Part One: Men’s Heads
Part Two: Woman’s Head
Part Three: Babies’ Heads
Part Four: Heads of Boys and Girls
Part Five: Hands
Part Six: Anatomy
Head and Perspective
The Basic Elements – Shape, Value, Color, Edge
Drawing Measuring Techniques
The Illusion of Depth
Video YouTube, Stan Prokopenko
How to Draw the Structure of the Body
How to Shade a Drawing
Anatomy of Light
Direct Light
Basic Elements
Drawing Supplies
How to Hold and Control Your Pencil
Drawing Techniques by Old Masters & Contemporary Artists
Drawing with the Sight-Size Method
How to Draw Gesture
How to Draw the Head from any Angle
How to Draw a Nose
How to Draw Ears
How to Draw Lips
How to Draw the Eyes
Planes of the Head II
Landmarks of the Body
Linear and Aerial Perspective
Structure Basics – Making Things Look 3D
Anvendt Kunstanatomi Ver 1 (Beta)
News
The Natural Way to Draw
The Natural Way to Draw Intro
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The Natural Way to Draw Part 1
Section 1. Contour and Gesture
Section 2. The Comprehension of Gesture
Section 3. Weight and the Modelled Drawing
Section 4. Memory Drawing and Other Quick Studies
Section 5. The Modelled Drawing in Ink — The Daily Composition
Section 6. The Modelled Drawing in Water Color — Right-Angle Study
Section 7. Emphasis on Contour — The Head
Section 8. Special Form Studies
Section 9. An Approach to the Subject of Technique
Section 10. The Simple Proportions — Effort
The Natural Way to Draw Part 2
Section 11. The Study of Drapery
Section 12. The Figure with Drapery — The Subjective Impulse
Section 13. The Sustained Study
Section 14. Light and Shade
Section 15. An Approach to the Study of Anatomy
Section 16. The Long Composition
Section 17. Exercises in Black and White Crayon
Section 18. Studies of Structure
Section 19. Analysis Through Design
Section 20. Study from Reproductions
Section 21. The Muscles
Section 22. Exercises in Black and White Oil Color
Section 23. Analysis Through Design — Continued
Section 24. The Subjective Element
Section 25. An Approach to the Use of Color
The Natural Way to Draw ver 2
The Practice & Science of Drawing
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