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praxis
  • A. Loomis
    • Part One: Men’s Heads
    • Part Two: Woman’s Head
    • Part Three: Babies’ Heads
    • Part Four: Heads of Boys and Girls
    • Part Five: Hands
    • Part Six: Anatomy
  • G. Bridgman
    • The Complete Bridgman Part 1
    • The Complete Bridgman Part 2
    • The Complete Bridgman Part 3
    • The Complete Bridgman Part 4
    • The Complete Bridgman Part 5
  • H. Speed
    • The Practice and Science of Drawing Part 1
    • The Practice and Science of Drawing Part 2
    • The Practice and Science of Drawing Part 3
    • The Practice and Science of Drawing Part 4
  • K. Nicolaides
    • The Natural Way to Draw Part 1
      • Section 1. Contour and Gesture
      • Section 2. The Comprehension of Gesture
      • Section 3. Weight and the Modelled Drawing
      • Section 4. Memory Drawing and Other Quick Studies
      • Section 5. The Modelled Drawing in Ink — The Daily Composition
      • Section 6. The Modelled Drawing in Water Color — Right-Angle Study
      • Section 7. Emphasis on Contour — The Head
      • Section 8. Special Form Studies
      • Section 9. An Approach to the Subject of Technique
      • Section 10. The Simple Proportions — Effort
    • The Natural Way to Draw Part 2
      • Section 11. The Study of Drapery
      • Section 12. The Figure with Drapery — The Subjective Impulse
      • Section 13. The Sustained Study
      • Section 14. Light and Shade
      • Section 15. An Approach to the Study of Anatomy
      • Section 16. The Long Composition
      • Section 17. Exercises in Black and White Crayon
      • Section 18. Studies of Structure
      • Section 19. Analysis Through Design
      • Section 20. Study from Reproductions
      • Section 21. The Muscles
      • Section 22. Exercises in Black and White Oil Color
      • Section 23. Analysis Through Design — Continued
      • Section 24. The Subjective Element
      • Section 25. An Approach to the Use of Color
  • B. Edwards
    • 1. Right Side Drawing and the Art of Bicycle Riding
    • 2. Right Side The Drawing Exercises, One Step at a Time
    • 3. Right Side Your Brain, The Right and Left of It
    • 4. Right Side Crossing Over, Experiencing the Shift from Left to Right
    • 5. Right Side Drawing on Memories, Your History as an Artist
    • 6. Right Side Getting Around Your Symbol System. Meeting Edges and Contours
    • 7. Right Side Perceiving the Shape of a Space, The Positive Aspects of Negative Space
    • 8. Right Side Relationships in a New Mode Putting Sighting in Perspective
    • 9. Right Side Facing Forward Portrait Drawing with Ease
    • 10. Right Side The Value of Logical Lights and Shadows
    • 11. Right Side Drawing on the Beauty of Color
    • 12. Right Side The Zen of Drawing Drawing Out the Artist Within
    • 13. Right Side Glossary
  • Bargue
    • Old Master Drawing Bargue-Gérôme Drawing Course II
    • Old Master Drawing Bargue-Gérôme Drawing Course III
  • Anatomi (Norwegian)
    • Anvendt Kunstanatomi Del 1
    • Anvendt Kunstanatomi Del 2
    • Anvendt Kunstanatomi Del 3
praxis
  • ChessTest
  • ChessTest2
  • MyGallery
  • Number1_Test
  • Odd Nerdrum – updated
  • Odd Nerdrum’s Studio
  • Old Master Drawing and Painting Caravaggio I
  • Old Master Drawing and Painting How To…
  • Old Master Drawing and Painting John Singer Sargent
  • Old Master Drawing and Painting Rembrandt I
  • Old Master Drawing and Painting Vermeer I
  • Old Master Drawing and Painting Vermeer II
  • Old Master Drawing and Painting Vermeer III
  • Old Master Drawing and Painting Vermeer IV
  • Old Master Drawing Bargue-Gérôme Drawing Course I
  • Old Master Drawing Copying a Rubens drawing
  • Old Master, Historical Painting Techniques, Materials, and Studio Practice
  • Rembrandt’s Medium – A Study of Rembrandt’s Painting Technique via Copying
  • Old Master Drawing Bargue-Gérôme Drawing Course II
  • Old Master Drawing Bargue-Gérôme Drawing Course III
  • Right Side Preface and Introduction
    • 1. Right Side Drawing and the Art of Bicycle Riding
    • 2. Right Side The Drawing Exercises, One Step at a Time
    • 3. Right Side Your Brain, The Right and Left of It
    • 4. Right Side Crossing Over, Experiencing the Shift from Left to Right
    • 5. Right Side Drawing on Memories, Your History as an Artist
    • 6. Right Side Getting Around Your Symbol System. Meeting Edges and Contours
    • 7. Right Side Perceiving the Shape of a Space, The Positive Aspects of Negative Space
    • 8. Right Side Relationships in a New Mode Putting Sighting in Perspective
    • 9. Right Side Facing Forward Portrait Drawing with Ease
    • 10. Right Side The Value of Logical Lights and Shadows
    • 11. Right Side Drawing on the Beauty of Color
    • 12. Right Side The Zen of Drawing Drawing Out the Artist Within
    • 13. Right Side Glossary
  • Alberti’s Window
  • Books by Loomis
  • Statistic
  • The Complete Bridgman
    • The Complete Bridgman Part 1
    • The Complete Bridgman Part 2
    • The Complete Bridgman Part 3
    • The Complete Bridgman Part 4
    • The Complete Bridgman Part 5
  • 3D-Models
  • Anvendt Kunstanatomi Intro
    • Anvendt Kunstanatomi Del 1
    • Anvendt Kunstanatomi Del 2
    • Anvendt Kunstanatomi Del 3
  • Galleries
  • Sitemap
  • The Practice and Science of Drawing Intro
    • The Practice and Science of Drawing Part 1
    • The Practice and Science of Drawing Part 2
    • The Practice and Science of Drawing Part 3
    • The Practice and Science of Drawing Part 4
  • Painting
    • Monochromatic Underpainting (Norwegian)
    • Painting Paris, Oil Painting Techniques
  • Old Master Drawing Where to Start Drawing
    • Introduction
    • Drawing the Head and Hands
      • Part One: Men’s Heads
      • Part Two: Woman’s Head
      • Part Three: Babies’ Heads
      • Part Four: Heads of Boys and Girls
      • Part Five: Hands
      • Part Six: Anatomy
      • Head and Perspective
    • The Basic Elements – Shape, Value, Color, Edge
    • Drawing Measuring Techniques
    • The Illusion of Depth
    • Video YouTube, Stan Prokopenko
    • How to Draw the Structure of the Body
    • How to Shade a Drawing
    • Anatomy of Light
      • Direct Light
    • Basic Elements
    • Drawing Supplies
      • How to Hold and Control Your Pencil
    • Drawing Techniques by Old Masters & Contemporary Artists
    • Drawing with the Sight-Size Method
    • How to Draw Gesture
    • How to Draw the Head from any Angle
      • How to Draw a Nose
      • How to Draw Ears
      • How to Draw Lips
      • How to Draw the Eyes
      • Planes of the Head II
    • Landmarks of the Body
    • Linear and Aerial Perspective
    • Structure Basics – Making Things Look 3D
  • Anvendt Kunstanatomi Ver 1 (Beta)
  • News
  • The Natural Way to Draw
  • The Natural Way to Draw Intro
    • The Natural Way to Draw Part 1
      • Section 1. Contour and Gesture
      • Section 2. The Comprehension of Gesture
      • Section 3. Weight and the Modelled Drawing
      • Section 4. Memory Drawing and Other Quick Studies
      • Section 5. The Modelled Drawing in Ink — The Daily Composition
      • Section 6. The Modelled Drawing in Water Color — Right-Angle Study
      • Section 7. Emphasis on Contour — The Head
      • Section 8. Special Form Studies
      • Section 9. An Approach to the Subject of Technique
      • Section 10. The Simple Proportions — Effort
    • The Natural Way to Draw Part 2
      • Section 11. The Study of Drapery
      • Section 12. The Figure with Drapery — The Subjective Impulse
      • Section 13. The Sustained Study
      • Section 14. Light and Shade
      • Section 15. An Approach to the Study of Anatomy
      • Section 16. The Long Composition
      • Section 17. Exercises in Black and White Crayon
      • Section 18. Studies of Structure
      • Section 19. Analysis Through Design
      • Section 20. Study from Reproductions
      • Section 21. The Muscles
      • Section 22. Exercises in Black and White Oil Color
      • Section 23. Analysis Through Design — Continued
      • Section 24. The Subjective Element
      • Section 25. An Approach to the Use of Color
  • The Natural Way to Draw ver 2
  • The Practice & Science of Drawing

3D-Models

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Contents

  • ASARO-model
  • Male Head
  • Female Head
  • Human Scull
  • Neckmuscles
  • TheWattsWorks’s models

ASARO-model

Male Head

Female Head

Human Scull

Neckmuscles

TheWattsWorks’s models

10 Top Pages

  • Old Master Drawing Bargue-Gérôme Drawing Course I
  • 7. Right Side Perceiving the Shape of a Space, The Positive Aspects of Negative Space
  • The Complete Bridgman Part 1
  • The Complete Bridgman Part 3
  • The Complete Bridgman
  • The Complete Bridgman Part 2
  • Part One: Men’s Heads
  • News
  • Odd Nerdrum's Studio
  • The Complete Bridgman Part 5

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